Hexie #40

There has been no let up around here with my schedule lately. This is the hexagon block for last week, but this is the first opportunity I've had to get it posted. I do like the color of that outer ring, sort of a salmon color. One more hexagon block, and I'll hit my halfway point. Yay!

The original hexagon quilt I was trying to replicate appeared to me to be reds, pinks, blues, browns, and tans--and I tried to maintain that color scheme for a while. But I found I wanted more color, so I added greens and yellows. Before I'm all done, I may have to throw a few purples in there too.

My Christmas Lights quilt is off the frame now, and I'm trying to finish up the binding before the end of the month. I won't be loading another quilt until I get the raffle quilt done, and then I'll load that one. My deadline is looming.

It's been three weeks since Maine Quilts, my state guild's annual quilt show, and I still haven't gotten any photos posted from that show; and I went to another quilt show last Thursday. We went to the Mancuso show in Manchester, New Hampshire. I had a great time but didn't take many photos because the great majority of quilts in the show were art quilts. While I appreciate the effort and workmanship in many of those quilts, I am a traditional quilter through and through, so there are very few art quilts that inspire me enough to take a photo. My favorite though was an Asian themed crazy quilt that had tons of handwork and embellishments. I'll try to get those photos posted in the next couple days. I know I have some emails to answer too, and I'm trying to get to those as well.

Another August Finish

This morning I put the last stitch in the binding on the Holidays quilt, so it's all finished. Isn't that always a good feeling, getting another ufo done? This quilt finishes to 56" square, so it'll be a nice wallhanging size when Christmas rolls around.

I thought this backing was just perfect for the quilt. It looks like it could be part of the same collection, but it was from a different manufacturer. I found it at Marden's during their Christmas in July sale, and I liked it so well that I bought the rest of the bolt, which totaled 13 yards. I figure I might get backings for at least 3, maybe 4, quilts from that piece.

Marden's Surplus and Salvage is a locally owned and operated chain of stores around Maine. Most of the stores have fabric departments consisting largely of quilting cottons. They have some other fabrics, like flannels, upholstery, fleeces, things like that; but the majority of it is cotton, and the prices are unbeatable. If you're ever up this way, be sure to stop by a Marden's. There's a list of locations on their website.

Credit where credit is due: "Holidays at Home" designed by Vicki Bellino. The fabric collection was designed by Faye Burgos for Marcus Fabrics as one of their Block of the Month programs.

August Finish

The second Bug Strippy is done and quilted with the same dragonfly pantograph. I have been applying the binding on these strippies all by machine, and I'm really beginning to like that method. I think it was on Millie's Quilting blog that I found one day the method where you apply quarter-inch wide fusible along the edge, iron the binding in place, then topstitch it. I use a small zig zag stitch to do this, and it works so well.

I finished the quilting on Holidays at Home and took that off the frame yesterday and got the binding sewn to one side of the quilt. This morning I sat down and started handstitching it on the back side and hope to have that done before the end of the week.

This afternoon I loaded Christmas Lights, a quilt by Bonnie Hunter that was featured in Quiltmaker a couple years ago. I'll bet some of you made this quilt--I saw quite a few of them around the blogosphere last year or the year before. My top has been in the ready-to-quilt pile for quite a while. I wanted to quilt little light bulbs on it but couldn't find a pantograph that I liked. Then I thought maybe a simple tree with a star on top. My border print is poinsettias though, so I finally settled on a poinsettia pantograph, and I went with a yellow-green-rose variegated thread. I like the effect. The pattern is one of the more difficult ones for me to stitch out, but it's going pretty well. I don't know how well you can see the stitching. It's a busy pattern on a busy quilt.

I'm on track to finish at least three quilts this month, all UFOs; and it's a good feeling to get them off my plate.

Hexie #39

I actually finished this block a few days ago, but I always like to wait until Sunday to post them. I really like the red print in the outer ring; and for the next one, I'll use the same print but in a different colorway.  I'll probably use it the week after that too. Then it might be time to hunt for some new reds.

We've had showers and cloudy weather the last couple days. Who doesn't need some wet weather right now? I'm afraid it will be short lived though. Our lawns are so dry that they crunch underfoot when you walk on them, and its supposed to be sunny tomorrow.

Hexie #38

I've hardly gotten any sewing done since Thursday, but Monday is Sew Day with the girls, and I'll get some of my chain blocks done for the raffle quilt. I had hoped to sew today, but I spent all morning trying to print out hexagons for two more blocks. I use the Inklingo software to do this, and my printer was giving me fits. One wrong setting can screw up the whole process.

The next couple weeks I'll be making red hexagons. Only three of the 38 hexagons I've finished are mostly red, and two of those I don't think I like, so I'll be adding more.

My older son turned 27 today. Geez, if your kid pushing 30 doesn't make you feel old, I don't know what would. He is currently stationed in upstate New York for several more months, going through school. It's been over a year since we've seen him, and we've planned a trip to go down for a visit in a few weeks. I'm excited!

Nine Patches Done

The nine patch blocks I need for my raffle quilt are finished. I pulled the colors for these blocks from the border print, shown next to the blocks. I didn't think I'd like them at first, but I almost always do once I get the blocks sewn. Maybe it's just the excitement of having blocks done.

I wanted to use more of a pinkish red instead of the red for the two blocks in the lower right corner, but hubby preferred the red, and besides I didn't want to have to buy more fabric. I only bought a yard of border fabric, and everything else came from the stash.

I'm using up four plus yards of muslin in this quilt, which makes me happy. Nearly all of it has been given to me, and I have a kitchen-sized trash bag full of it. To look at the bag, you wouldn't know I dug four yards out of it. If I ever use it all up, I won't be taking any more muslin!

I also stitched 116 of these 2-patch units for a checkerboard border.

I'm trying to make a couple of passes with the longarm each day to keep my skill level where it is and hopefully improve. In the past, there have been long lapses in between my quilting sessions, and my skills suffer because of it. Quilting a little every day or every other day seems to work better.

Last night I took another bug strippy off the frame--same focus fabric, same dragonfly pantograph. It will be bound in the yellow fabric, and I hope to get this done in the next couple days. 

Holidays at Home is the next quilt to get loaded on the frame. This was a kit that came out last year, I think. The top has been done for a while, just haven't got around to quilting it.








This little red squirrel thinks he is so smart to figure out how to get up onto the bird feeder. And he is, darnit! I've had an awful time trying to keep the gray squirrels off the feeder this summer, and now this little guy. We've tried so many different things to dissuade them; and we finally resorted to, uh, relocating them. It's maddening to be outsmarted by a squirrel!

Today, instead of sewing, I have to pretend like I want to do some serious housework,  because the dust bunnies are threatening to take over. If I get the binding attached to the strippy tonight, I'll be happy. Have a good day, all.

Formal Feathers

The first class I took at Maine Quilts last week was Formal Feathers by Irena Blume. Because Maine Quilts is a comparatively small venue, Irena was the only longarm teacher available to us this year. I hadn't heard of her before, but I enjoyed her class tremendously and learned a great deal. 

Irena is from Poland and now lives in California. After seeing her work, it's hard to believe that she's only been quilting since 2004 and teaching since 2006. 

The Formal Feathers class was supposed to be for all levels, and I thought I was going to learn how to make those beautiful flowing feathers that look like some of the pantographs I have. It turns out that not only are formal feathers constructed differently from a regular feather (or what Irena termed an amish feather), but they were also easier for me to make since I have great difficulty making the amish ones. The entire class was devoted to learning how to draw formal feathers and how to use them to fill a space. 

Longarm machines were available to us to practice on, but we didn't get much time on the machines. That actually turned out to be a good thing, because the machines were way too low for my height, and I had to bend over to see what I was doing, which killed my back. Anyway,  I thought I did a reasonably good job drawing my feathers, but, big surprise, it was another thing altogether to draw them with a longarm. Like everything else in machine quilting, it requires practice. 

Because we only had time to stitch out a couple of designs, it didn't seem worth it to take my sample piece with me. I don't think anyone else took their samples either.  

This is one of Irena's quilts that was hanging in the classroom. Not only is it quilted within an inch of its life, but the quilting is so tiny. There's a detail photo below. 

There is no piecing in this quilt that I could see. Irena has some kind of technique that she uses to color her quilts. She offered coloring as another class at Maine Quilts, but it isn't something I'd be interested in, so I didn't pay much attention to what technique was used to color the quilts.

 
Irena also had some small samples of some of her filler designs,and there are a couple of drawings at the end of the post showing her drawing of this technique, which she called blooming feathers, and mine. I really liked this one, and it wasn't as difficult to do as I'd imagined.

 




These are the drawings I did in class, in the order that Irena taught them to us. We started with a simple spine and progressed to some practice filling in specific shapes--a square, rectangle, trapezoid, hexagon, circle, and a heart. 

Then she taught us how to fill in a larger area, and finally, how to meander all over the quilt with the formal feather.